I've spent nearly 20 years making music that travels — from European dance and pop hits in the early 2000s (Eiffel 65, remixes and productions for artists from Toni Braxton to Busta Rhymes) to scoring films, games, and television.

That double life shapes how I work: I think like a producer and a composer — in hooks, texture, and dynamics, not just melody. Whether it's a main theme audiences hum (Pokémon, TMNT), a cinematic film score, or an adaptive game soundtrack that breathes with the player, my job is the same — find the emotional core of a project and build the sound that makes it unforgettable.